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The Fuller Brush Man 720p








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a5c7b9f00b Poor Red Jones gets fired from every job he tries. His fiancée gives him one last chance to make good when he becomes a Fuller Brush man. His awkward attempts at sales are further complicated when one of his customers is murdered and he becomes the prime suspect.
"Red" Jones attempts to prove himself to his sweetheart, Ann Elliott, by becoming a successful Fuller Brush door-to-door salesman. When one of his clients is murdered, "Red" becomes the number-one suspect by the police. He and Ann escape a trap set by the killer and his henchmen, but are still being chased through a war-surplus warehouse.
Red Skelton was one of the most famous and best-loved comedians in America from the 1940s to 1971. Everybody was always talking about him and looking forward to his TV show every week. He was a national icon. He played a lovable simple fool, in the tradition of Harry Langdon and Stan Laurel. His remarkable comic abilities were never properly captured in his films because there were never enough closeups for us to see the details of his comedic effects. For instance, in this film there is one wonderful scene where he thrusts his lower jaw out more than one could think possible and impersonates someone who wanted to help his friend by 'being a spare ashtray'. The trouble is, we get to see this only in badly lit long shots! This film was the fourth time Skelton was directed by S. Sylan Simon, who made one more film and died tragically at the age of only 41. But Simon never did justice to Skelton's special qualities, and Skelton's producers also saw himjust a useful clown. In fact, with proper handling and loving attention by an inspired director, Skelton could have achieved high art, of which he was well capable, since he was a a truly great clown. In this film, his girl friend who is a perfect foil was the lively Janet Blair, justAmericanapple pie and absolutely right for 1948. The script has some great gags in it. At one point, where Skelton is being used'allure practice' by a siren, she says to him: 'I usually have men eating out of my hand.' Skelton replies with childlike innocence: 'I've already had my lunch.' Maybe nobody remembers any more about Fuller brush salesmen, but they used to be everywhere. There were more of them than neighbourhood cats and dogs. Yes, they really existed, and 'get in the door' was their motto, justin this film. The Fuller Brush Company really existed too, and maybe the producer got a big product placement bonus in his pocket, or his studio did. This film was so successful, it was followed by 'The Fuller Brush Woman', starring the wacky Lucille Ball. Certainly Fuller brushes were familiar to every American, in the way that Tupperware was. This film has a spectacular closing chase sequence with some truly amazing sight gags, a few of which rival Buster Keaton's, but they are filmed so badly that much of their impact is lost. Whoever designed them was brilliant. It is a very long and very astonishing sequence which anyone interested in such things really needs to see. I found myself wishing it could all be recreated and shot properly. What was lacking from Skelton's films was the care and imagination to match his innate genius. But if you like Skelton and want to see him in top form, watch this one. The fact that it could have been so much better is something you just have to put up with. It may be corny, but it is never dull.
THE FULLER BRUSH MAN is, hands-down, Red Skelton's best film. The script is tight and packed solid with one liners. The supporting cast, especially Janet Blair and Don McGuire, are very personable (McGuire in a greasy sort of way, of course!). The scenario is perfectly balanced between the first half wherein Red tries to make something of himself and the second half after which a murder is committed in the home of the sanitation commissioner who fired Skelton. Like Sylvan Simon's WHISTLING pictures, there is an extended set-piece - this time in Red's apartment. But unlike the MGM comedies (poor MGM, they tried at comedy) the cutting, camera-work and staging are more fluid. And funnier. BUT all this is but a build-up to one of the great chase finales in pictures. And here is where co-scenarist Frank Tashlin really shows his stuff. The chase is a raucous knockabout affair with the gangsters, all played by top stunt players suchDave Sharpe and Bud Wolfe, bounce and tumble like the Keystone Kops. And what really sells the chase is Heinz Roemheld's dizzy, pizzicato scoring. It is perfectly punctuated and wraps the entire finale up into a three-ring circus act. It is very interesting to compare the chase finale in FULLER BRUSH MAN to the chase finale in THE YELLOW CAB MAN. The latter sequence was scored by MGM cartoon music maestro Scott Bradley. But for some unconscionable reason, Bradley's music was completely dropped from the finale. Talked about a scotched opportunity. Never mind. See THE FULLER BRUSH MAN. It's Red's best.

Yes. See the company's official website here. Read its Wikipedia page here.<br/><br/>The public was much more aware of the Fuller Brush Company during the time of this movie than they are today. The Fuller Brush men were once a familiar part of the American scene.<br/><br/>See also:<br/><br/><a href="/title/tt0036780/">Duck Soup to Nuts (1944)</a> (1944). Daffy Duck introduces himself to Porky Piga Fuller Brush man.<br/><br/><a href="/title/tt0042488/">The Fuller Brush Girl (1950)</a> (1950). <a href="/name/nm0000840/">Lucille Ball</a> stars in this sequel to the Red Skelton comedy. Yes. He's played by <a href="/name/nm0402505/">Jimmy Hunt</a>, best known today for his lead role in <a href="/title/tt0045917/">Invaders from Mars (1953)</a> (1953). The character comes from Red Skelton's radio program where Skelton himself played the role. Red calls himself Philo Jones. He's referring to Philo Vance, the amateur detective and bon vivant created by <a href="/name/nm0886597/">S.S. Van Dine</a>, who featured him in twelve novels of the 20s and 30s. The character was also popular on the radio and in movies.
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